SUPPORT
WIRELESS VIDEO
Teradek Bolt 4K 750
Features
- Type: Wireless Video Transmission System
- Range: Up to 750 feet (228 meters) line of sight
- Video Resolution: Supports up to 4Kp30
- Latency: <1 ms
- Frequency: 5 GHz
- Inputs: 12G-SDI, HDMI 2.0
- Outputs: 12G-SDI, HDMI 2.0
- Power: 2-Pin LEMO, 6-28V DC
- Weight: Transmitter: 0.5 lbs (226 g); Receiver: 0.5 lbs (226 g)
Special Features
- HDR support
- Up to 10-bit 4:2:2 image quality
- AES-256 encryption
- Multicast capable (up to 6 receivers)
- Wireless Camera Control (requires additional accessories)
- Cross Conversion (HDMI/SDI)
Usage
- Ideal for professional film and broadcast production, offering reliable wireless transmission with minimal latency and high image quality.
Teradek Bolt 4K 1500
Features
- Type: Wireless Video Transmission System
- Range: Up to 1500 feet (457 meters) line of sight
- Video Resolution: Supports up to 4Kp30
- Latency: <1 ms
- Frequency: 5 GHz
- Inputs: 12G-SDI, HDMI 2.0
- Outputs: 12G-SDI, HDMI 2.0
- Power: 2-Pin LEMO, 6-28V DC
- Weight: Transmitter: 0.5 lbs (226 g); Receiver: 0.5 lbs (226 g)
Special Features
- HDR support
- Up to 10-bit 4:2:2 image quality
- AES-256 encryption
- Multicast capable (up to 6 receivers)
- Wireless Camera Control (requires additional accessories)
- Cross Conversion (HDMI/SDI)
Usage
- Perfect for situations requiring longer range transmission, such as live events, large set productions, and aerial cinematography, ensuring high-quality, secure video feed over extended distances.
Teradek Bolt 4K 6G 750
Features
- Type: Wireless Video Transmission System
- Range: Up to 750 feet (228 meters) line of sight
- Video Resolution: Supports up to 4Kp30
- Latency: <1 ms
- Frequency: 5 GHz
- Inputs: 12G-SDI, HDMI 2.0
- Outputs: 12G-SDI, HDMI 2.0
- Power: 2-Pin LEMO, 6-28V DC
- Weight: Transmitter: 0.5 lbs (226 g); Receiver: 0.5 lbs (226 g)
Special Features
- HDR support
- Up to 10-bit 4:2:2 image quality
- AES-256 encryption
- Multicast capable (up to 6 receivers)
- Wireless Camera Control (requires additional accessories)
- Cross Conversion (HDMI/SDI)
Usage
- Designed for high-end production environments where secure, reliable, and high-quality video transmission is essential. Suitable for a variety of professional applications including on-set monitoring and live broadcasting.
WIRELESS FOCUS
Preston FIZ3
Features
- Type: Focus, Iris, and Zoom Control System
- FIZ3 Controller: Main control unit with touchscreen interface
- Motor Units: Includes motors for focus, iris, and zoom control
- Hand Unit: Wireless unit for remote operation
- Frequency: 2.4 GHz
- Range: Up to 1,000 feet (300 meters) line of sight
- Power: Typically 12-24V DC
Special Features
- Wireless control for focus, iris, and zoom.
- Advanced calibration and programming options.
- Real-time feedback on lens settings.
- High precision and reliable performance in professional environments.
Usage
- Used in high-end film and television production for precise control of focus, iris, and zoom functions. Suitable for complex camera setups and remote operation.
Preston Single Channel
Features
- Type: Single Channel Focus Control Unit
- Single Channel Hand Unit: Wireless control unit for focus
- Motor Unit: Focus motor for precise adjustment
- Frequency: 2.4 GHz
- Range: Up to 1,000 feet (300 meters) line of sight
- Power: Typically 12-24V DC
Special Features
- Simple and effective focus control.
- Lightweight and compact design.
- Reliable performance for single-focus control applications.
Usage
- Ideal for productions needing straightforward and reliable focus control, especially in scenarios where a full FIZ setup is not required.
Arri WCU-4
Features
- Type: Wireless Camera Control Unit
- WCU-4 Hand Unit: Main control unit with touchscreen interface
- Wireless Module: Transmits control signals to camera systems
- Frequency: 2.4 GHz
- Range: Up to 1,000 feet (300 meters) line of sight
- Power: Typically 12-24V DC
Special Features
- Advanced touchscreen interface for intuitive control.
- Integrated focus, iris, and zoom controls.
- Customizable buttons and settings.
- Reliable and precise control with high build quality.
Usage
- Suitable for professional film and television production where comprehensive wireless camera control is required. Compatible with a range of Arri camera systems and lenses.
Arri SXU-1
Features
- Type: Single Axis Control Unit
- SXU-1 Hand Unit: Wireless unit for controlling a single axis (focus or zoom)
- Frequency: 2.4 GHz
- Range: Up to 1,000 feet (300 meters) line of sight
- Power: Typically 12-24V DC
Special Features
- Compact and lightweight design.
- Focuses on precise control of a single axis.
- Reliable performance in professional production environments.
Usage
- Ideal for scenarios where control of a single axis (focus or zoom) is needed, offering a straightforward solution for specific control needs in film and television production.
MONITORS
SmallHD 503
Features
- Type: On-Camera Monitor
- Screen Size: 5.5 inches
- Resolution: 1920 x 1080 pixels (Full HD)
- Panel Type: IPS LCD
- Brightness: 800 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 1 x SDI (out), 1 x HDMI (out)
- Power: Sony L-series battery
Special Features
- Lightweight and compact design.
- High brightness for outdoor visibility.
- Advanced monitoring tools such as focus peaking, waveforms, and histograms.
- Customizable interface with the SmallHD OS3 software.
Usage
- Ideal for use on-camera for professional video production, providing high brightness and advanced monitoring features in a compact form.
SmallHD 703
Features
- Type: On-Camera Monitor
- Screen Size: 7 inches
- Resolution: 1920 x 1200 pixels (WUXGA)
- Panel Type: IPS LCD
- Brightness: 1500 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 2 x SDI (out), 1 x HDMI (out)
- Power: Sony L-series battery
Special Features
- Ultra-bright display suitable for use in direct sunlight.
- Advanced tools for monitoring including scopes and false color.
- Dual SDI inputs and outputs for easy integration into professional workflows.
- Touchscreen interface with customizable settings.
Usage
- Suitable for professional video production on set, providing high brightness and resolution for detailed monitoring.
SmallHD Cine 7/Bolt 7
Features
- Type: On-Camera Monitor
- Screen Size: 7 inches
- Resolution: 1920 x 1200 pixels (WUXGA)
- Panel Type: IPS LCD
- Brightness: 1500 nits
- Inputs: 1 x SDI (in), 1 x HDMI (in)
- Outputs: 1 x SDI (out), 1 x HDMI (out)
- Power: Sony L-series battery
Special Features
- Integrated Teradek Bolt wireless receiver (in Bolt 7 version).
- High brightness and resolution for clear on-set monitoring.
- Comprehensive monitoring tools including focus assist, histograms, and waveforms.
- Touchscreen interface for intuitive operation.
Usage
- Ideal for professional film and television production where high brightness, resolution, and wireless video monitoring are required.
SmallHD 1303
Features
- Type: On-Camera Monitor
- Screen Size: 13 inches
- Resolution: 1920 x 1080 pixels (Full HD)
- Panel Type: IPS LCD
- Brightness: 800 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 2 x SDI (out), 1 x HDMI (out)
- Power: 12V DC input
Special Features
- Larger screen size for detailed monitoring.
- Advanced features like scopes, false color, and focus assist.
- Robust build quality for professional use.
Usage
- Suitable for use on larger camera rigs or in a studio environment where a larger display is beneficial for detailed monitoring.
Sony PVM-170
Features
- Type: Professional LCD Monitor
- Screen Size: 17 inches
- Resolution: 1920 x 1080 pixels (Full HD)
- Panel Type: LCD
- Brightness: 300 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 1 x SDI (out)
- Power: AC power supply
Special Features
- Professional-grade color accuracy and image quality.
- Built-in waveforms, vectorscopes, and other monitoring tools.
- Versatile connectivity options for integration into professional workflows.
Usage
- Ideal for use in broadcast, post-production, and other professional environments where accurate color reproduction and detailed monitoring are required.
SmallHD 4K OLED 22”
Features
- Type: Professional OLED Monitor
- Screen Size: 22 inches
- Resolution: 3840 x 2160 pixels (4K UHD)
- Panel Type: OLED
- Brightness: 400 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 2 x SDI (out), 1 x HDMI (out)
- Power: AC power supply
Special Features
- 4K resolution for detailed image monitoring.
- OLED panel provides deep blacks and high contrast.
- Advanced monitoring tools including scopes, focus assist, and customizable settings.
Usage
- Ideal for high-end production environments, including on-set monitoring and post-production, where 4K resolution and high-quality color reproduction are essential.
HEADS
O'Connor 2575
Features
- Type: Fluid Head
- Payload Capacity: 25 kg (55 lbs)
- Pan and Tilt Drag: Adjustable
- Counterbalance: Continuously adjustable
- Tilt Range: -60° to +90°
- Pan Range: 360°
- Weight: Approximately 10.2 kg (22.5 lbs)
- Base: 150mm ball
Special Features
- High precision fluid drag system for smooth movements.
- Robust construction for heavy camera setups.
- Versatile counterbalance system to accommodate various camera configurations.
- Quick-release plate system for fast camera changes.
Usage
- Designed for professional film and television production, especially for handling large camera setups and providing precise control over camera movements.
O'Connor 1040
Features
- Type: Fluid Head
- Payload Capacity: 8 kg (17.5 lbs)
- Pan and Tilt Drag: Adjustable
- Counterbalance: Fixed
- Tilt Range: -90° to +90°
- Pan Range: 360°
- Weight: Approximately 3.6 kg (8 lbs)
- Base: 75mm ball
Special Features
- Compact and lightweight design suitable for smaller camera setups.
- Adjustable drag for smooth operation.
- Fixed counterbalance system for ease of use.
- Quick-release plate for efficient camera changes.
Usage
- Ideal for smaller camera rigs and lighter setups, providing reliable fluid movement and control in a more compact form factor.
Lambda
Features
- Type: Fluid Head
- Payload Capacity: Varies based on model, typically from 5 to 12 kg (11 to 26 lbs)
- Pan and Tilt Drag: Adjustable
- Counterbalance: Adjustable or fixed, depending on model
- Tilt Range: Typically ±90°
- Pan Range: 360°
- Weight: Varies based on model
- Base: Varies (typically 75mm or 100mm ball)
Special Features
- Precision fluid drag system for smooth and controlled camera movements.
- Durable construction suitable for various shooting conditions.
- Quick-release plate system for efficient camera setup.
- Adjustable counterbalance to accommodate different camera weights.
Usage
- Lambda heads are designed for versatility in various film and video production environments, offering reliable fluid movement and control for different camera configurations.
SmallHD 4K OLED 22”
Features
- Type: Professional OLED Monitor
- Screen Size: 22 inches
- Resolution: 3840 x 2160 pixels (4K UHD)
- Panel Type: OLED
- Brightness: 400 nits
- Inputs: 2 x SDI (in), 1 x HDMI (in)
- Outputs: 2 x SDI (out), 1 x HDMI (out)
- Power: AC power supply
Special Features
- 4K resolution for detailed image monitoring.
- OLED panel provides deep blacks and high contrast.
- Advanced monitoring tools including scopes, focus assist, and customizable settings.
Usage
- Ideal for high-end production environments, including on-set monitoring and post-production, where 4K resolution and high-quality color reproduction are essential.
HANDHELD
EasyRig Vario 5
Features
- Type: Camera Support System
- Weight Capacity: Up to 12 kg (26.5 lbs)
- Support Range: Adjustable support arm for different camera setups
- Adjustable Height: 85 to 155 cm (33 to 61 inches)
- Weight: Approximately 3.6 kg (8 lbs)
Special Features
- Adjustable harness and support arm to suit different camera weights and operators.
- Provides relief from camera weight by distributing it across the operator’s hips and shoulders.
- Versatile for use with various camera rigs, including those with matte boxes, follow focuses, and other accessories.
- Easily adjustable to balance and fine-tune camera setups for optimal comfort and stability.
Usage
- Ideal for extended shooting sessions where camera weight can be a burden, providing support and reducing operator fatigue. Commonly used in handheld shooting, documentary filming, and on-location shoots.
Serene Arm
Features
- Type: Camera Support Arm
- Payload Capacity: Varies based on model; typically up to 7 kg (15 lbs)
- Adjustable Arm Length: Various models with different reach and adjustability
- Weight: Varies based on model
Special Features
- Provides precise positioning and stabilization for camera setups.
- Typically features adjustable length and angle for versatile shooting angles.
- High-quality construction for durability and stability.
- Compatible with a range of camera rigs and support systems.
Usage
- Used for providing additional support and stabilization to camera rigs, especially in dynamic shooting environments or when specific camera angles are required.
Spider Grips
Features
- Type: Camera Hand Grips
- Grip Style: Typically ergonomic, with options for different handling styles
- Compatibility: Designed to fit various camera rigs and setups
- Weight: Varies based on model and configuration
Special Features
- Ergonomic design for comfortable handling and control.
- Can be adjusted or configured for different grip styles and shooting needs.
- Often features mounting options for additional accessories, such as monitors or follow focus units.
- Durable construction for reliable performance in various shooting conditions.
Usage
- Ideal for providing additional control and comfort during handheld shooting. Used in combination with other camera support systems to enhance stability and ease of operation.
AKS
4x5 Matte Boxes
Features
- Type: Matte Box
- Filter Size: 4×5.65 inches (102 x 130 mm)
- Stages: Typically 1 to 2 stages, adjustable for filter placement
- Adjustability: Usually includes adjustable top and side flags to reduce lens flare and light leaks
- Mounting: Can be mounted via 15mm or 19mm rods or a clamp-on system
- Weight: Varies based on design and construction
Special Features
- Designed to accommodate standard 4×5.65 filters.
- Includes options for various types of filter stages, including rotating and fixed.
- Some models feature integrated lens hoods for additional light control.
- Designed to accommodate standard 4×5.65 filters.
- Includes options for various types of filter stages, including rotating and fixed.
- Some models feature integrated lens hoods for additional light control.
Usage
- Commonly used in film and video production to hold filters and reduce lens flare. Suitable for a wide range of camera setups, especially those using standard filter sizes.
6x6 Matte Boxes
Features
- Type: Matte Box
- Filter Size: 6×6 inches (150 x 150 mm)
- Stages: Typically 1 to 2 stages, adjustable for filter placement
- Adjustability: Includes adjustable top and side flags to control light and reduce flare
- Mounting: Can be mounted via 15mm or 19mm rods or a clamp-on system
- Weight: Varies based on design and construction
Special Features
- Designed to accommodate larger 6×6 filters.
- Includes options for rotating and fixed filter stages.
- Often features built-in lens hoods for improved light control.
Usage
- Used for larger camera setups and filters, providing effective control of light and lens flare. Commonly used in high-end film and television production.
4x5 Filters
Features
- Type: Optical Filters
- Size: 4×5.65 inches (102 x 130 mm)
- Types: Various types including ND (Neutral Density), polarizing, color correction, and diffusion filters
- Material: Typically made from optical glass or resin
Special Features
- Designed to fit standard 4×5.65 matte boxes.
- Available in different densities and color temperatures to achieve desired effects.
Usage
- Used in conjunction with 4×5 matte boxes to control exposure, color balance, and achieve special effects. Essential for achieving specific looks and managing light in professional production environments.
6x6 Filters
Features
- Type: Optical Filters
- Size: 6×6 inches (150 x 150 mm)
- Types: Various types including ND, polarizing, color correction, and diffusion filters
- Material: Typically made from optical glass or resin
Special Features
- Designed to fit larger 6×6 matte boxes.
- Available in different densities and color temperatures for various effects.
Usage
- Used with 6×6 matte boxes for controlling light, color, and achieving effects in high-end film and video production. Suitable for larger lenses and camera setups.
