Frame Rates: Up to 60 fps in 6K, higher in lower resolutions
Recording Formats: X-OCN, Apple ProRes, RAW
Function: Allows for the separation of the sensor block from the camera body, providing greater flexibility in tight spaces and for handheld or gimbal work.
Cable Length: Up to 18 feet (5.5 meters)
Sony Venice 2 + Rialto 2
Features
Sensor: Interchangeable 8.6K Full-Frame and 6K Super 35 CMOS Sensors
Resolution: 8.6K (8640 x 5760) and 6K (6048 x 4032)
Dynamic Range: 16+ stops
Mount: PL mount (E-mount with adapter)
ISO: Dual Base ISO (800 and 3200)
Frame Rates: Up to 60 fps in 8.6K, higher in lower resolutions
Recording Formats: X-OCN, Apple ProRes, RAW
Function: Enhanced version of Rialto, providing the same flexibility with improved handling and support for the new Venice 2 sensors.
Mount: RF mount (adapters available for EF and PL)
ISO: Native ISO 800
Frame Rates: Up to 40 fps in 6K, 120 fps in 2K
Recording Formats: REDCODE RAW, ProRes
RED V-RAPTOR
Features
Sensor: 8K VV (Vista Vision) CMOS Sensor
Resolution: 8K (8192 x 4320)
Dynamic Range: 17+ stops
Mount: RF mount (adapters available for EF and PL)
ISO: Native ISO 800
Frame Rates: Up to 120 fps in 8K, higher in lower resolutions
Recording Formats: REDCODE RAW, ProRes
FILM
ARRICAM LT (Lite)
Features
Magazines: Available in 1000 ft (305 m) and 400 ft (122 m) capacities
Lens Mount: PL mount
Shutter: Adjustable mirror shutter (11.2° to 180°)
Viewfinder: Optical viewfinder with a 100% coverage
Speed: Variable frame rates from 1 to 50 fps (frames per second) for 4-perf and up to 60 fps for 3-perf
Sound: Quiet operation suitable for sync sound recording
Usage
Ideal for high-end film production, including feature films, commercials, and TV shows, where versatility and high-quality image capture are essential.
ARRI 416
Features
Magazines: 400 ft (122 m) and 100 ft (30.5 m) capacities
Lens Mount: PL mount
Shutter: Adjustable mirror shutter (45° to 180°)
Viewfinder: Optical viewfinder with a 100% coverage
Speed: Variable frame rates from 1 to 75 fps
Sound: Designed for quiet operation, suitable for sync sound
Usage
Suitable for documentaries, TV productions, and feature films that require the unique aesthetic of 16mm film.
ARRI 435
Features
Magazines: 1000 ft (305 m) and 400 ft (122 m) capacities
Lens Mount: PL mount
Shutter: Adjustable mirror shutter (11.2° to 180°)
Viewfinder: Optical viewfinder with a 100% coverage
Speed: Variable frame rates from 1 to 150 fps
Special Features: Capable of high-speed shooting, in-camera effects, and time-lapse photography
Usage
Popular for action sequences, commercials, music videos, and high-speed cinematography due to its high frame rate capabilities.
ARRI 235
Features
Magazines: 400 ft (122 m) and 200 ft (60.5 m) capacities
Lens Mount: PL mount
Shutter: Adjustable mirror shutter (11.2° to 180°)
Viewfinder: Optical viewfinder with a 100% coverage
Speed: Variable frame rates from 1 to 60 fps
Usage
Designed for handheld, Steadicam, and remote head applications due to its compact and lightweight design. Suitable for feature films, commercials, and documentaries.
Beaucam VistaVision 35
Features
Frame Size: Larger than traditional 35mm (8-perf 35mm film frame), providing higher resolution and detail
Lens Mount: Customizable, often uses PL mount
Speed: Variable frame rates (exact specs vary by model and configuration)
Special Features: High resolution and wide aspect ratio, suitable for visual effects and IMAX-quality production
Usage
Commonly used for VFX plates, high-resolution projects, and IMAX films. Provides superior image quality and resolution.
